26 September – 2 October 2022
The Brussels Acousmonium of Musiques & Recherches as guest in Vienna
Acousmatic Festival | Master Classes | Young Lion*ess Competition | Artist Talks
Even more loudspeakers, even more music and even more artists …
Merged with the Brussels Acousmonium, the Vienna Acousmonium plays the most brilliant installation ever in Vienna with a full line-up of 64 loudspeakers. During the preparatory week, Alla Zagaykevych (Ukraine) and Jamie Reis (Portugal) will teach the methods of acousmatic composition and Annette Vande Gorne (Brussels) will teach how to play the Acousmonium. In addition, the works of the winners of the first Austrian competition for acousmatic music under 30 years of age – ‘Young Lion*ess of acousmatic music’ – will be premiered.
Concerts
Friday September 30 22
7:00pm – 7:45pm Students Concert
8:15pm – 9:00pm Actual Acousmatic
Alla Zagaykevych | Mithe IV: K.S. | 2011 | 7:30 for Violin + Live Electronic
Violin Beatriz Costa & Live Electronic Alla Zagaykevych
Jaime Reis | Magistri Mei – Bruckner | 2020 | 6:32 | multichannel
Thomas Gorbach | Modulated Resonances | 2021_22 | 6:50 | stereo
Alla Zagaykevych | Rana (Wound) | 2022 | 9:15 | 4 channels
Jaime Reis | Fluxus, Lift | 2013 | 5:08 | multichannel
Thomas Gorbach | Impact from Mars | 2020_21 | 11:58 | stereo
Interpretation | Alla Zagaykevych | Beatriz Costa | Jaime Reis | Thomas Gorbach
9:15pm – 10:00pm Winners of YOUNG LION:ESS OF ACOUSMATIC MUSIC
Mattia Loris Siboni | Translucido | 2020 | 10:13 | stereo
Elliot Hernández | Ritual | 2021 | 5:25 | stereo
Marta Mendes Pereira Domingues | Brincar de Pensar | 2022 | 8:54 | stereo
Diego Bermudez Chamberland | Punto Maximal | 2021-22 | 10:37 | stereo
Mariana Vieira | The Unexpected Encounter with Diversity | 2021 | 8:01 | stereo
Interpretation | Mattia Loris Siboni | Annette Vande Gorne | Marta Mendes Pereira Domingues | Jaime Reis | Mariana Vieira
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Saturday October 1 2022
7:00pm – 7:45pm Students Concert
8:15pm – 9:00pm PIONEER FRANCIS DHOMONT
at the console Francis Dhomont
Phœnix XXI | 2016 | 14’58 | stereo
Points de fuite | 1982 | 12’21 | stereo
Perpetuum mobile | 2019 | 15’05 | octophonie
Vol d’arondes | 2001 | 11’25 | octophonie
9:15pm – 10:00pm Acousmatic Repertoire from 40 Years of Musiques & Recherches
at the console Annette Vande Gorne | Thomas Gorbach
Elizabeth Anderson | Solar winds | 2012 | 9’37 | octophonie
Ingrid Drese | Pérégrinations d’une petite sphère happée par le temps | 2020/22 | 18’14 | stereo
Bernard Parmegiani | Rêveries | 2007 | 15′ | stereo
Åke Parmerud | Growl | 2014_15 | 12:43 | stereo
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Sunday October 2 2022
7:00pm – 7:45pm Students Concert
20:15 – 21:00 Masterpieces 40 Years of Musiques & Recherches
at the concole Annette Vande Gorne | Rafael Muñoz Gomez
Robert Normandeau | Rumeurs (Place de Ransbeck) | 1987 | 12:12
Arsène Souffriau | Espaces, fluides et pulsés | 1985 | 10:32
Aliocha Van der Voort | Tropisme | 1998 | 7:40
Laurent Delforge | Palimpseste sur souvenir | 2006 | 6:00
Sophie Delafontaine | Trouée | 2021 | 11:28 | octo + sub stéréo
Annette Vande Gorne | VOX ALIA II : Cathédrales | 10’56 | 16.4
9:15pm – 10:00pm The Final Act
Volkmar Klien | Zusammengesetzt aus den Defiziten vieler
für Lautsprecherorchester und SADISS Sound System | 2022 | UA | Interpretation Volkmar Klien
Barry Truax | The Shaman Ascending | 2004-2005 | 15:45 | 16 channels an der Konsole Barry Truax
Francis Dhomont | Phonurgie | 1998 | 12’30 | stéréo | Interpretation Thomas Gorbach
Studio Building of the Academy of Fine Arts Vienna (formerly Semperdepot | State Theater Scenery Store)
Lehárgasse 8 | 1060 Vienna
Entrance Door 1 | Multi-Purpose Space (second floor)
Concert Tickets
3-days-festival-pass: 20 €
concert entry (1 day): full price 9 € / reduced 6 €
Free admission with student ID for students of the Academy of Fine Arts Vienna!
You can pre-order tickets: Please send us an e-mail.
Masterclasses
- Annette Vande Gorne (Belgium) – Interpretation of acousmatic music on the acousmonium
- Jaime Reis (Portugal) – fixed media Composition
- Alla Zagaykevych (Ukraine) – mixed media Composition, instruments: Violin, Traverse flute, Violoncello, …
26 –30 September 2022
- 10:00–01:00 Masterclass
- 14:00–17:00 Masterclass
Open for everyone
Master Classes
Spatialized interpretation of acousmatic music
by Annette Vande Gorne – honorary professor of spatialisation at Royal conservatory of Mons (BE)
- Teaching language: French, English
- Title: Spatialized interpretation of acousmatic music
Topics
The different types of interfaces – listening, analysis and attribution of works to be worked on by the trainees – “Espace Escape” by Francis Dhomont & “Figures d’Espace” by Annette Vande Gorne – notations & acousmographs – the four main spatial categories – spatial interpretation – stylistics – figuralism – multiphonics – The Spatializer as a new profession in acousmatic music
Annette Vande Gorne (born 1946 in Charleroi, Belgium) is a Belgian composer of acousmatic music. She stud at the Paris Conservatoire with Pierre Schaeffer and Guy Reibel. She founded the Association de Musiques et Recherches and the Métamorphoses d’Orphée studios in Ohain, Belgium. Annette Vande Gorne has also created a concert series and an acousmatic festival called L’Espace du son in Brussels since 1984. Since 1986 she has taught at leading music conservatories in Liège, Brussels and Mons, Belgium. At the Royal Conservatory of Mons, she founded an electroacoustic department with 14 teachers.
Academy of fine Arts Vienna
Lehárgasse 8 | Tor 1 | 2. floor | Mehrzwecksaal | 1060 Vienna
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Electroacoustic compositions with musical instruments – mixed media
by Alla Zagaykevych
- Teaching language: French, English, Ukrainian
- Title: Electroacoustic compositions with musical instruments as an interactive process
Possible combinations of instruments in works – Violin, Cello, Flute (solo) with electronics
Duration – up to 10 minutes.
Topics
– The relationship between instrumental and electroacoustic composition in the context of modern musical thought.
– Analysis of the work concept and determination of the morphological and syntactic components of the work.
– Spectral analysis and its role in the composition – Analysis of the musical material and perspectives of the structural development of the work.
– Inclusion of the technical means of sound synthesis
– Completion of the score
– creation of a technical flow: of the performance, of the rehearsal process, of the methods of synchronization of the instrumental and electroacoustic parts
Alla Zagaykevych (born 1966 in Khmelnytskyi, Ukraine) is a Ukrainian contemporary classical music composer, performance artist, cultural manager and musicologist. From 1995 to 1996 she attended the annual course in composition and music informatics at the Institut IRCAM (Paris). In 1998 she became a lecturer at the Department of Composition and Music Informatics of the National Academy of Music of Ukraine in Kiev, where she founded the Studio of Electroacoustic Music. Alla Zagaykevych is the artistic director of international projects for electroacoustic music in Kiev: “Electroacoustics” (since 2003), “EM-VISIA” (since 2005). Since 2010, she has been the director of the Electroacoustic Music Association at the National Union of Composers of Ukraine and winner of the international competition Musica Nova (2011).
University of Music and Performing arts Vienna
ELAK – Institut of electroacoustic music
Anton von Webern Platz 1 | 1030 Vienna
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Fixed media Composition
by Jaime Reis
- Teaching language: French, English, Portuguese
- Title: Fixed Media – Acousmatic Composition
Jaime Reis (born 1983, Lisbon, Portugal) is a Portuguese composer. During his studying, attended seminars with Karlheinz Stockhausen and worked with Emmanuel Nunes. His music has been presented over more than 20 countries, both instrumental and electroacoustic. He has collaborated with institutions and ensembles such as IRCAM, KCMD, Musik Fabrik, ZKM, Aleph Guitar Quartet Musiques & Recherches. Since 2003 Jaime Reis is an artistic director of the DME Festival – Electroacoustic Music Days (having 60 editions). Now, he’s Professor in the Superior School of Applied Arts Castelo Branco, Portugal and in the Superior Music School of Lisbon. Director of art space “Lisboa Incomum”.
Praterstudio – Experimental studio for immersive multi-channel sound and acousmatic composition
by The Acousmatic Project – Association for the Promotion of Acousmatic Music
Corner of Böcklinstrasse | Kurzbauergasse 6 | Souterrain | 1020 Vienna
Venues involved as partners
Academy of fine Arts Vienna
Lehárgasse 8 | Tor 1 | 2. floor | Mehrzwecksaal | 1060 Vienna
University of Music and Performing arts Vienna
ELAK – Institut of electroacoustic music
Anton von Webern Platz 1 | 1030 Vienna
Praterstudio – Experimental studio for immersive multi-channel sound and acousmatic composition
by The Acousmatic Project – Association for the Promotion of Acousmatic Music
Corner of Böcklinstrasse | Kurzbauergasse 6 | Souterrain | 1020 Vienna
Co-operators
Supported by
